The Listener
Beth
Tessa Thompson
Tessa Thompson Movie Reviews
Creed III
Bianca Taylor
Thor: Love and Thunder
King Valkyrie
Passing
Irene Redfield
Sylvie’s Love
Sylvie
Lady and the Tramp
Lady (voice)
Between Two Ferns: The Movie
Herself
Men in Black: International
Agent M
Little Woods
Ollie
Creed II
Bianca
Sorry to Bother You
Detroit
Annihilation
Josie Radek
Thor: Ragnarok
Brunnhilde / Valkyrie
War on Everyone
Jackie Hollis
Creed
Bianca
Dear White People
Samantha White
For Colored Girls
Nyla/Purple
Blog Posts That Mention Tessa Thompson
Tina Mabry and Edward Kelsey Moore on the Joy and Uplift of The Supremes at Earl’s All-You-Can-Eat
The Imperiled Women of Alex Garland’s Films
Chicago Literary Hall of Fame to Induct Nella Larsen, Bette Howland and Finley Peter Dunne
Tribeca 2023: The Listener, Eric LaRue
Annihilation and the Power of Anxiety
Jason Delane Lee and Yvonne Huff Lee on Race, Adoption and Identity
Ebertfest 2022 Recap: A Golden Homecoming
The 22nd Black Reel Awards Honors its Winners, Led by The Harder They Fall
Chaz Ebert to Receive the Ruby Dee Humanitarian Award
Why the Film Passing Stirs The Imagination
Passing Director Rebecca Hall Learns of Her African-American Family History on Finding Your Roots
Happy New Year from Chaz Ebert and RogerEbert.com!
24 Great Performances of 2021
The Individual Top Tens of 2021
Highlights of the 2021 Film Fest 919 Include King Richard, Passing, and More
The Freedom to Pass
Five Articles In Praise of Rebecca Hall’s Directorial Debut, Passing
The Black-and-White Films of the 2021 Award Season
Black and White: Rebecca Hall on Passing
Passing Wins Top Prize at LGBTQ+ NewFest 2021
A Preview of the 57th Chicago International Film Festival
NYFF 2021: A Chiara, What Do We See When We Look at the Sky?, Revivals
From Guillermo and Gottfried to the Golden Arm, Ebertfest 2022 is Back in Full Swing
An Executive Producer Recommends Three Films to Watch for Black History Month: Passing, A Most Beautiful Thing and Mr. Soul!
Sundance 2021: Passing, Eight for Silver, Mass
Sundance 2021: 12 Films We Can’t Wait to See
Sundance 2021 Announces Virtual Competition, Premiere, Midnight Titles and More
HBO’s Westworld is Sleeker, Leaner in Third Season
The Best Films of the 2020 Sundance Film Festival
Sundance 2020: The 40-Year-Old Version, Farewell Amor, Sylvie’s Love
Sundance 2020 Announces Competition, Midnight, Premiere Titles and More
Ebert Symposium 2019 Preview: Keynote Speech, Diversity in Film Panel, VR Experiences
Dr. Stacy L. Smith Will Be the Keynote Speaker at the Second Annual Ebert Symposium, Creating an Inclusive Cinema and Media Ecosystem
Home Entertainment Consumer Guide: March 14, 2019
Nell Minow’s Top Ten Films of 2018
Monica Castillo’s Top Ten Films of 2018
The Ten Best Films of 2018
My List of Movies to See Before the End of 2018
45 Movies to see at the 54th Chicago International Film Festival
CIFF 2018: Preview of the 54th Chicago International Film Festival
Translating into Poetry: Boots Riley on Sorry to Bother You
2018 Summer Movie Preview: 10 Films We’re Excited About
Daring, Different Second Season of HBO’s Westworld Starts with a Bang
The Unloved, Part 52: Annihilation
Home Entertainment Consumer Guide: March 22, 2018
The Destiny of Abandonment: The Films of Ryan Coogler and Michael B. Jordan
Diary of a Sundance Juror
Sundance Goes From #MeToo to What’s Next
The Best Films of the 2018 Sundance Film Festival
Sundance 2018: Sorry to Bother You
2018 Winter Movie Preview: 25 Films We’re Excited About
Sundance 2018 Announces Competition, Premiere, Midnight Titles and More
The Messy Women of “Thor: Ragnarok”
Better Than the Oscars?
2017 Fall Movie Preview: 25 Films We’re Excited About
Thumbnails 8/25/16
“Dear White People”: A Review by Messiah Young
“Dear White People”: A Review by Dyana Daniels
“Dear White People”: A Review by Kinnedy Broughton
African-American Film Critics-Black Oscars?
The Individual Top Tens of 2015
Film Independent: Justin Simien
Home Entertainment Consumer Guide: February 11, 2015
“Life Itself” to be Honored at AAFCA Awards Gala
The Women of “Selma”: The Unsung Heroines of The Civil Rights Movement
The Year After the Year of Racial Cinema
The Individual Top Tens of 2014
Stars Align at 2014 Gotham Independent Film Awards
Identity Versus Self: Justin Simien on “Dear White People”
